On this work by 林東鵬
It captures one sense of the soul of my house & the house of my soul, a space capable at times of impossible emptiness and distances. . . .
But it's bigger than that. In reality, the design of homes like this one originates in the desire to "elevate domesticity and the nuclear family" ( from some history of the suburbs book ). Falling short of domestic bliss is shown as something more ; after all, the piece doesn't aspire to brooding sadness.
The world of the work is full of wonder : don't forget : the house is literally magical : rooms drift apart to negotiate the sky like painted clouds. What keeps them all afloat ?